Resonance Mandalas of La Maná

In 1984 a large cache of over 300 artifacts was discovered by a small group of gold prospectors led by engineer Dr. Elias Sotomayor in a tunnel 300’ below ground in the jungle-covered mountains of La Maná, Ecuador. Accurate dating of the artifacts is as yet impossible by the latest methods, as the thermoluminescence technique would be unreliable due to years of exposure to sunlight since their discovery. The lithic technology and geometry presented in the artifacts denies placement in known cultural contexts from the region, suggesting that they may predate the known cultures from the region. The symbolism presented in the forms and in inlaid designs and script on the La Maná artifacts most closely relates to those of the Sanskrit culture known from southeast Asian contexts, and has toured Europe in the Unsolved Mysteries Exhibition. The script is consistent with the logographic form of Sanskrit, the mother language from which the Mayan and Egyptian glyphs have descended. The geometric analysis given herein suggests that the La Maná artifacts encode fractal information regarding the resonant properties of calcite mineral, informing the design function of the Orion pyramids of Giza, Egypt - the production of Electrum water.

The Sine Wave Alignment of Sacred Sites

A perfect circle bisecting the Earth describes the alignment of sacred energetic sites: a hoop of light. To the southeast of the Sphinx, directly east of the smallest pyramid is the massive limestone wall that defines an angular alignment not observed elsewhere in the Giza complex. The Wall of the Crow is a 600’ long by 30’ high megalithic wall undercut by a portal with a lintel that is among the largest fitted stones on the Giza plateau.

The interlocking masonry of this entrance to the plateau is highly reminiscent of the stonework found in the Andes, especially the megalithic site of Saqsaywaman, in modern day Peru at the ancient Inca capital of Cuzco. Giza’s giganticWall of the Crow does not share the pyramidal alignment to the geographic poles, but is angled 5° north of due east. The wall defines a division of two hemispheres along a circumference line around the Earth ’as the crow flies’, passing through Giza’s antipode in the Pacific Ocean at 30°S 149°W. Along that straight line path lay the Angkor temples of Cambodia to the east and the Nazca lines of Peru to the west, an alignment described as the Sine Wave of ancient sites by Jim Alison. The Wall of the Crow begins and ends at nodal points of the Magnetic Resonance structure, revealing the intimate relationship between the invisible resonance patterns and the layout of the limestone pyramid complex at Giza. As well, itsname is another psychoacoustic reference to flight and the sine wave pattern produced by the flapping of a bird’s wings, just as observed at several of the sites along its defined planetary circumference, like the Nazca hummingbird.

This Sine Wave circumference is one half of a quadrupolar alignment that is offset to the same degree as the Earth’s magnetic North pole from the geographic N pole, the axis of Earth’s rotation. A line perpendicular to the Wall of the Crow, passing through the center of the Great Pyramid at an angle of 5° west of due north, describes the pyramids’ alignment to the magnetic N pole, which fluctuates position near 78.3°N 104.0°W in the Canadian arctic. The distance from the magnetic N pole to Giza in miles is identical to that of Giza to Angkor, both about 4,754 miles from Giza (F#359) along a pair of perpendicular circumferences quartering the Earth. These two intersecting circles of aligned sites define the axis of the quadrupolar standing waves described hereas Magnetic Resonance. If a great circle is drawn around Giza passing through all of the points at this 19.1% distance from Giza, Angkor is exactly 25% of its circumference away from the magnetic North pole. This isosceles triangle of sites delineates the two prime meridians passing through Giza, at prime resonant distances. This analysis focuses on the straight-line phi relationships along these quadrupolar axes to reveal the nonlinear acoustic standing wave structures underlying the framework of Alison’s Sine Wave model.

 ~ 30 August 2012

After I ate familiar food with my crewmates, we stripped down and swam in the lake. Then, we lay down on the warm rock and talked about nothing. We told jokes, laughed and finally feel asleep on the warm rocks. When I awoke, the sun was low on the horizon and my friends were gone.